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August 11, 2018 – Spring 2019
Main Gallery, Columbia Research Center
After the United States entered World War II, Missouri artist Thomas Hart Benton responded to the national crisis by working through his thoughts and emotions on canvas. Executed between 1941 and 1944, the works in the Benton's Perilous Visions exhibition manifest the anxiety, horror, grief, and resolve that Benton and his audience experienced during the war. Visit the Columbia center now to explore ten of Benton's paintings and their allegorical images, visions of events that came to fruition, and expression of fears that thankfully were never realized on US soil. Eight of these famous paintings illustrated the widely circulated Year of Peril propaganda booklet, published by Abbott Laboratories and the US government in 1942.
Fall 2018 – Spring 2019
Main Gallery, Columbia Research Center
Throughout the history of Western art, painters have signaled the importance of human figures by representing them on a large scale. Such figures may be contemporary, historical, allegorical, or religious. Traditionally a “monumental figure” is half-life-size or larger. This exhibition includes seven pictures with such figures.
The selection includes commissioned portraits, anonymous nudes, imaginary figures, and images of everyday people. Audiences may see personal, political, psychological, and social meanings in these images, and these messages are amplified by each pictures monumentality.
July 15, 2016 – November 21, 2018
Stairwell Gallery, St. Louis Research Center
The large numbers of Germans that immigrated to St. Louis in the nineteenth century led to a flourishing brewing industry. The legacy of Lemp, Anheuser-Busch, and scores of smaller breweries ensure that the region's history is intertwined with that of local beer production. To explore this relationship, visit the "Ein Prosit!" exhibit in the Stairwell Gallery of the Research Center–St. Louis.
The show highlights photographs of brewery workers and artifacts from the Henry Tobias Brewers and Maltsters Union No. 6 Collection (S0615) and Mit Feder und Hammer! (With Feather and Hammer): The German Experience in St. Louis Records (S0941).
December 2018 – December 2019
Missouri native Marlin Perkins lived a truly wild life. In addition to serving as the director of the Lincoln Park Zoo in Chicago and then the St. Louis Zoo, Perkins also hosted two popular television programs—Zoo Parade (1949–1957) and the award-winning Mutual of Omaha’s Wild Kingdom, which ran for 26 seasons starting in 1961. Pulling from the more than 2,000 photographs housed in the St. Louis Research Center’s Marlin Perkins Papers, this exhibition explores some of the most legendary, dangerous, funny, and touching moments of Perkins’s life as they were captured on camera and in writing. With over 40 photographs, hand-written documents, and a few surprises, the exhibit highlights Perkins’s contributions to wildlife conservation through his work at the zoo, on television, and in the wild.
January 11, 2019–February 28, 2019
Through this exhibition, viewers can explore how thousands of African Americans came to and through Missouri while seeking greater political, economic, and social opportunity. Images from SHSMO’s collections offer insights into the movement of African Americans from their first great exodus out of the South after the Civil War to relocations sparked by violence, repression, natural disasters, and the turmoil of the Great Depression. Viewed together, the artwork, including fine art prints by George Caleb Bingham and Thomas Hart Benton, creates an overall picture of American life in an era of dramatic change.Sponsored by University of Missouri Libraries and the MU Black History Month Committee