Cave, Michael (1944-1991), Papers, 1944-1997 (C2157)
7.6 linear feet, 21 audio cassettes, 62 audio tapes, 27 video cassettes, 1 compact disk, and 1 record
RESTRICTED
INTRODUCTION
The Michael Cave Papers consist of personal and professional correspondence, business records, audiovisual material, and the compositions of Cave, a pianist and composer.
DONOR INFORMATION
The Cave Papers were donated to the University of Missouri by the Carl Michael Cave Music Trust, Thelma D. Cave, Trustee, on 9 December 1996 (Accession No. 5650). Additions were made on 22 October 1996 (Accession No. 5669), 26 December 1996 (Accession No. 5690), 9 April 1997 (Accession No. 5711), and 16 June 1997 (Accession No. 5725).
RESTRICTIONS
Please contact the WHMC-C reference staff for restriction statement.
BIOGRAPHICAL SKETCH
Carl Michael Cave was born on May 17, 1944, to Carl Sanford Cave and Thelma Daily Cave in Springfield, Missouri. His father was the principal of the School of the Ozarks, Point Lookout, Missouri, and his mother taught English at the school. Michael's brother Shannon was born in 1949. The family moved to Rolla, Missouri, in 1956, where Carl Cave taught mathematics at the School of Mines and Thelma Cave taught English at Rolla High School.
Michael showed a talent for music at an early age and began to take piano and organ lessons. He also enjoyed writing plays and had an ear for languages. After graduating from Rolla High School in 1962, he went to Washington University in St. Louis to continue his music studies.
After one year at Washington University Cave decided to pursue his musical career in his own way and moved to California. While giving recitals and concerts throughout southern California he pursued a degree at the California Institute of the Arts. In 1969 he married Judyth Walker. A daughter Melody Alleyne was born on June 6, 1970. Cave received a master's degree at the University of Southern California and began working at the Westlake School for Girls as a music teacher and lectured in piano at UCLA.
In 1976 Cave moved his wife and daughter to his parents home near Jefferson City, Missouri, while he went on a concert tour of Europe, something he had dreamed about and planned for many years. He and Judyth divorced in 1977.
After returning to California Cave and others founded the Creative Society to organize and support recitals in small venues for "talented but not-yet-famous professionals in classical music." The society wished to bring talented performers to smaller concert halls so that people didn't have to travel to the "big city" to hear classical music. The society existed until Cave's death, but its most active time was from 1977 to 1981.
Beginning in the 1970s Cave also worked on what he called the Mozart Project, dealing with the twenty-one piano concerti of Mozart. Cave wrote "cadenzas, lead-ins, and embellishments" (CLE) as well as "orchestra reductions" (OR) for these works. Apparently much of Mozart's "connecting" music was lost when he died. Cave taught this music to various people at various places over the years. In 1985 he received money from Loyola Marymount University, where he was then teaching, to put on a year long "Mozart Project" including concerts, an "akademie" where he taught music teachers and students, a festival in which students competed for prizes, and organizing a friends of music.
Besides teaching and performing Cave was also a composer of both choral and orchestral works, and his later work was often commissioned by individuals and organizations. Among his more popular works were Five New Age Songs, Ecclesiastes, and his "Classic" and "Romantic" Sonatas.
Cave's daughter Melody died in 1987 of complications from cancer. Cave died in 1991 from complications of AIDS. A more detailed biography of Cave, written by his mother, is included in these papers.
SCOPE AND CONTENT NOTE
The Cave Papers are arranged into eight series:
The papers document the life of a man who felt called to make a living from his music and deal with the complications that his homosexuality brought into his life.
The Personal series is primarily correspondence arranged chronologically from 1944 to 1996. The series also includes childhood papers of Michael and papers of Melody and Judy Cave. Most of the correspondence is with family and deals with many of the issues that were important in Michael's life including making a living by his music, his homosexuality, and caring for a family. Material dated after his death in 1991 concerns his mother's efforts to settle his estate. Correspondence from friends and music professionals is in other series since it often related to Michael's musical pursuits.
The Professional\Business series deals with Michael's efforts to make a living by his music. The series includes press releases; programs; reviews; newspaper articles; arrangements, both of finances and time; competitions; and contracts for performances. The series dates from 1964 to 1991 and is arranged roughly chronologically; correspondence related to recital dates is grouped under the recital date.
The Creative Society series consists of correspondence, flyers, posters, press releases, newsletters, minutes, and financial records of the organization. The society existed until Michael's death but its most active time was from 1977 to 1981 and the papers reflect this. They show the society's efforts to organize concerts, add to its list of performers, and find ways of funding its programs. They are arranged chronologically followed by the society's newsletter, grants, and information about the various artists involved with the society.
The Log Books and Appointment Books series deals with both personal and business matters and is arranged chronologically. The books include personal notebooks that Michael kept throughout his life. They include "to do" lists, addresses, and reflections, and generally provide a sense of the Michael's day-to-day life.
The Photographs series is arranged chronologically and includes family photos and photos Michael used professionally.
The Music series is divided into two subseries:
The Mozart Project subseries includes copies of the "cadenza, lead-ins, and embellishments" that Cave wrote as well as administrative records of the project. There is also some material pertaining to the Mozart festival such as photographs and organizational materials. Administrative material is first, arranged chronologically, followed by two volumes of the music.
The Compositions subseries contains Cave's original compositions. Cave numbered the works himself; Opus 9 and 10 do not exist probably due to an error in numbering. For each work there might be the original manuscript, a master copy which contains music for all the instruments and voices, instrument parts, and voice parts. The subseries also includes early compositions and unfinished works.
The Audiovisual series has audio cassettes, reel-to-reel audio tapes, video cassettes, and a CD and record of Cave and others musicians performing his and other composers's music, the Mozart Project, the Schumann Project, and Creative Society concerts.
The Scrapbooks series has two scrapbooks from Cave's childhood: a baby book kept by his mother and a childhood scrapbook that Cave kept of pictures and music that appealed to him.
FOLDER LIST
| f. 1 | 1944 |
| f. 2 | 1949-1959 |
| f. 3 | 1960 January-June |
| f. 4 | 1960 July-December |
| f. 5 | 1961 |
| f. 6 | 1962 |
| f. 7 | 1963 January-October |
| f. 8 | 1963 November-December |
| f. 9 | 1964 January-February |
| f. 10 | 1964 March-May |
| f. 11 | 1964 June-December |
| f. 12 | 1965 |
| f. 13 | 1966 January-July |
| f. 14 | 1966 August-December |
| f. 15 | 1967 January-April |
| f. 16 | 1967 May-July |
| f. 17 | 1967 August-December |
| f. 18 | 1968 |
| f. 19 | 1969 |
| f. 20 | 1970 |
| f. 21 | 1971-1973 |
| f. 22 | 1974-1975 |
| f. 23 | 1976 January-February |
| f. 24 | 1976 May-December |
| f. 25 | 1977 |
| f. 26 | 1978-1979 |
| f. 27 | 1980-1981 |
| f. 28 | 1982 |
| f. 29 | 1983 |
| f. 30 | 1985 |
| f. 31 | 1988-1989 |
| f. 32 | 1990 January-August |
| f. 33 | 1990 September-October |
| f. 34 | 1990 November 1-15 |
| f. 35 | 1990 November 16-30 |
| f. 36 | 1990 December 1-20 |
| f. 37 | 1990 December 21-31 |
| f. 38 | 1991 January |
| f. 39 | 1991 February |
| f. 40 | 1991 March |
| f. 41 | 1991 April-July |
| f. 42 | 1991 August-December |
| f. 43 | 1992-1993 |
| f. 44 | 1950s, school papers |
| f. 45 | 1950s, plays |
| f. 46 | 1950s, miscellaneous |
| f. 47 | 1960, school papers |
| f. 48 | 1961, school papers |
| f. 49 | Melody and Judy, 1972-1977 |
| f. 50 | Melody and Judy, 1978-1982 |
| f. 51 | Melody and Judy, 1983-1986 |
| f. 52 | Melody and Judy, 1987-1989 |
| f. 53 | Melody and Judy, n.d. |
| f. 54 | Biography of Michael Cave by Thelma D. Cave, 1997 |
| f. 55 | 1964-1965 |
| f. 56 | 1966 January-February |
| f. 57 | 1966 March |
| f. 58 | 1966 April-May |
| f. 59 | 1966 June-December |
| f. 60 | 1966, Van Cliburn International Piano Competition |
| f. 61 | 1967 January-February |
| f. 62 | 1967 March-December |
| f. 63 | 1968 |
| f. 64 | 1969 |
| f. 65 | 1970 |
| f. 66 | 1971 |
| f. 67 | 1972 |
| f. 68 | 1973 |
| f. 69 | 1974 |
| f. 70 | 1975 |
| f. 71 | 1976 |
| f. 72 | 1977 |
| f. 73 | 1978 |
| f. 74 | 1979 |
| f. 75 | 1980 |
| f. 76 | 1981 |
| f. 77 | 1982 |
| f. 78 | 1983 January-February |
| f. 79 | 1983 March-September |
| f. 80 | 1983 October-December |
| f. 81 | 1984 January-February |
| f. 82 | 1984 March-July |
| f. 83 | 1984 August-December |
| f. 84 | 1985 |
| f. 85 | 1986 |
| f. 86 | 1987 |
| f. 87 | 1988 |
| f. 88 | 1989 January-February |
| f. 89 | 1989 March-May |
| f. 90 | 1989 June-September |
| f. 91 | 1989 October-December |
| f. 92 | 1990 January-July |
| f. 93 | 1990 August-December |
| f. 94 | 1991 |
| f. 95 | n.d. |
| f. 96 | Master classes, 1974-1986 |
| f. 97 | Creative Society, 1977 |
| f. 98 | Creative Society, 1978 January-September |
| f. 99 | Creative Society, 1978 October |
| f. 100 | Creative Society, 1978 November-December |
| f. 101 | Creative Society, 1979 |
| f. 102 | Creative Society, 1980 January-June |
| f. 103 | Creative Society, 1980 July-December |
| f. 104 | Creative Society, 1980, proposed logo |
| f. 105 | Creative Society, 1981 January-June |
| f. 106 | Creative Society, 1981 July-December |
| f. 107 | Creative Society, 1982-1992 |
| f. 108 | Creative Society, Newsletter, 1977-1980 |
| f. 109 | Creative Society, Grants, 1980-1981 |
| f. 110 | Creative Society, Artists, B-P |
| f. 111 | Creative Society, Artists, R-W |
| f. 112 | Income and expense book, 1967-1971 |
| f. 113 | Income and expense book, 1972-1973 May |
| f. 114 | Creative Society income and expense book, 1977-1981 |
| f. 115 | Calendar, 1959 |
| f. 116 | Calendar, 1960 |
| f. 117 | Calendar, 1977 |
| f. 118 | Calendar, 1980 |
| f. 119 | Calendar, 1984 |
| f. 120 | Calendar, 1985 |
| f. 121 | Calendar, 1986 |
| f. 122 | Calendar, 1987 |
| f. 123 | Calendar, 1988 |
| f. 124 | Calendar, 1989 |
| f. 125 | Calendar, 1990 |
| f. 126 | Personal notebook, 1964-1965 |
| f. 127 | Log book #1, 1983 June-1983 September |
| f. 128 | Log book #2, 1983 September-1984 January |
| f. 129 | Log book #4, 1984 September-1985 April |
| f. 130 | Log book #5, 1985 April-1985 August |
| f. 131 | Log book #6, 1985 August-1986 February |
| f. 132 | Log book #7, 1986 February-1986 June |
| f. 133 | Log book #8, 1986 July |
| f. 134 | Log book #9, 1986 June-1986 November |
| f. 135 | Log book #10, 1986 November-1987 April |
| f. 136 | Log book #11, 1987 May-1988 January |
| f. 137 | Log book #12, 1988 January-1989 July |
| f. 138 | Guest book, 1972-1975 |
| f. 139 | 1940s-1950s |
| f. 140 | 1960s |
| f. 141 | 1970s |
| f. 142 | 1980-1983 |
| f. 143 | 1984-1990 |
| f. 144 | Miscellaneous early notes, 1960s |
| f. 145 | Mozart Seminar, general information, correspondence, 1978 |
| f. 146 | Mozart Project, correspondence, plans, 1985 January-June |
| f. 147 | Mozart Project, correspondence, plans, 1985 July-1986 April |
| f. 148 | Mozart Project, v. 1 |
| f. 149 | Mozart Project, v. 2 |
| f. 150 | Early compositions, 1957 |
| f. 151 | Early compositions, 1958 |
| f. 152 | Early compositions, 1959-1963 |
| f. 153-154 | Early compositions, n.d. |
| f. 155 | Lists of compositions and potential texts. |
| f. 156-159 | Opus 1, Chorale Fantasy: "Peace on Earth." Based on a chorale of P. Yardumian, 1967. |
| f. 156 | Manuscript |
| f. 157 | Master copy |
| f. 158 | Instrument parts |
| f. 159 | Voice parts |
| f. 160-163 | Opus 1a, Morning Song of Senlin by Paul Rynearson, arranged by Michael Cave, c. 1967. |
| f. 160 | Manuscript |
| f. 161 | Master copy |
| f. 162 | Instrument parts |
| f. 163 | Voice parts |
| f. 164 | Opus 2, Two Easy Anthems. Master copies for 2, 3, and 4 part choruses.
No. 1 "Bless the Lord, Oh My Soul,"
No. 1a "Oh Lord,"
No. 2 "And I Will Vindicate," 1968. |
| f. 165 | Opus 3, Nocturne for Piano, 1970. Master copy. |
| f. 166-167 | Opus 4, Festive Alleluia, 1970. |
| f. 166 | Manuscript |
| f. 167 | Master copy |
| f. 168-175 | Opus 5, Ecclesiastes, 1970. |
| f. 168-172 | Manuscript |
| f. 173 | Master copy |
| f. 174 | Instrument parts |
| f. 175 | Aria for soprano, "There is a Grievous Evil," also clarinet part |
| f. 176-179 | Opus 6, Pandora's Box, 1971 |
| f. 176 | Manuscript |
| f. 177 | Master copy |
| f. 178 | Libretto |
| f. 179 | Original words from students and stage directions |
| f. 180-181 | Opus 7, "Nothing Gold Can Stay," 1971. Dedicated to his mother. |
| f. 180 | Manuscript |
| f. 181 | Voice parts |
| f. 182-184 | Opus 8, Sonata for Oboe and Piano, 1971. |
| f. 182 | Manuscript |
| f. 183 | Master copy |
| f. 184 | Instrument parts |
NO OPUS 9 OR 10
| f. 185 | Opus 11, Duo for Two Violins, 1974. Master copy. |
| f. 186 | Opus 12, "Ricercare," 1972. Master copy. |
| f. 187-188 | Opus 13, "By the Waters of Babylon," 1973 |
| f. 187 | Manuscript |
| f. 188 | Master copy |
| f. 189-192 | Opus 14, Quintet for Woodwinds, 1975, rev. 1988 |
| f. 189 | Manuscript |
| f. 190 | Manuscript, revised |
| f. 191 | Master copy |
| f. 192 | Instrument parts |
| f. 193 | Opus 15, Three Solo Pieces for Clarinet, 1975. Master copy. |
| f. 194 | Opus 15a, Three Solo Pieces for Oboe, 1975. Master copy. |
| f. 195-197 | Opus 16, Elegy, 1976 |
| f. 195 | Manuscript |
| f. 196 | Master copy |
| f. 197 | Instrument parts |
| f. 198-200 | Opus 17, "Lines to the Sea," for soprano, English horn and piano, 1976. Dedicated to Constie Downs. |
| f. 198 | Manuscript |
| f. 199 | Master copy |
| f. 200 | Instrument parts |
| f. 201-203 | Opus 18, Valse, D.C., for English horn and piano, 1976 |
| f. 201 | Manuscript |
| f. 202 | Master copy |
| f. 203 | Instrument parts |
| f. 204-205 | Opus 19, Five New Age Songs, 1977-1979.
"Orphic Prayer"
"Winter Was Not Wasted"
"Love, For I Have Walked"
"To A Loved One Leaving" |
| f. 204 | Manuscript (High voice) |
| f. 205 | Voice parts (High and medium voice) |
| f. 206-207 | Opus 19a, Three Songs for Baritone, 1978.
"Orphic Prayer"
Winter Was Not Wasted"
Love" |
| f. 206 | Manuscript |
| f. 207 | Master copy |
| f. 208 | Opus 20, "Greetings from Fra Giovanni--1513," 1977. Master copy. |
| f. 209-211 | Opus 21, Two Songs: "Sands" and "To Life," for soprano, horn and piano, 1980. |
| f. 209 | Manuscript |
| f. 210 | Master copy |
| f. 211 | Instrument parts |
| f. 212-213 | Opus 22, "Romantic" Sonata for piano, 1980 |
| f. 212 | Manuscript |
| f. 213 | Master copy |
| f. 214-215 | Opus 23, "Classic" Sonata for piano, 1982. Dedicated to Fred Remington. |
| f. 214 | Manuscript |
| f. 215 | Master copy |
| f. 216-217 | Opus 24, Prelude and March, duet for piano four-hands, 1982. For Paul Biegel. |
| f. 216 | Manuscript |
| f. 217 | Master copy |
| f. 218-220 | Opus 25, Silly Songs: Goops--And How to Be Them, 1982 |
| f. 218 | Manuscript |
| f. 219 | Master copy |
| f. 220 | copy of the book Goops and How to Be Them |
| f. 221-222 | Opus 26, "Whisper Me Words of Love," 1982 |
| f. 221 | Manuscript |
| f. 222 | Master copy |
| f. 223-225 | Opus 27, Sonata for Clarinet and Piano, 1983, rev. 1986. Commissioned for and dedicated to Gervase de Peyer. |
| f. 223 | Manuscript, revised |
| f. 224 | Master copy |
| f. 225 | Instrument parts |
| f. 226-227 | Opus 28, "To the Moon With Love," 1984. Written for Delcina Stevenson. |
| f. 226 | Manuscript |
| f. 227 | Master copy |
| f. 228-229 | Opus 29, Seven Healings, 1986. Commissioned by Diana Crummett |
| f. 228 | Manuscript |
| f. 229 | Master copy |
| f. 230-232 | Opus 30, Three Anthems For Peace, 1987. Commissioned by the American Guild of Organists, Far West Regional Convention.
"God Is Our Refuge and Strength"
"Lord, Make Me An Instrument"
"Ascribe to the Lord" |
| f. 230 | Manuscript |
| f. 231 | Master copy with errata |
| f. 232 | Instrument parts (anthem 3 only) |
| f. 233-236 | Opus 31, "Canto, a love poem by Charles Valle," for tenor and ten instruments, 1987. Commissioned by Diane Wang, artist and founder of Merging One Gallery, Santa Monica. |
| f. 233 | Manuscript |
| f. 234 | Master copy |
| f. 235 | Instrument parts |
| f. 236 | Voice parts |
| f. 237-238 | Opus 31a, "Canto, a love poem by Charles Valle," for tenor and quartet, 1988. Arrangement commissioned by University of Missouri-St. Louis Department of Cultural Affairs. |
| f. 237 | Master copy |
| f. 238 | Instrument parts |
| f. 239-242 | Opus 32, Piece for Brass Ensemble: "To Those Gone Before," 1988. Commissioned for Summit Brass by University of Missouri-St. Louis Department of Cultural Affairs. |
| f. 239 | Manuscript, revised manuscript |
| f. 240 | Master copy |
| f. 241 | Instrument parts |
| f. 242 | Piano reduction |
| f. 243-249 | Opus 33, "Renascence." Commissioned by Manship House of Jackson, Mississippi for Lester Senter, 1988. Dedicated to his mother. |
| f. 243 | Poem, "Renascence," by Edna St. Vincent Millay. History of the composition. |
| f. 244 | Manuscript |
| f. 245 | Master copy |
| f. 246-249 | Instrument parts |
| f. 250-251 | Corrections |
| f. 252-254 | Opus 33a, "Renascence." Chamber version, 1989 |
| f. 252 | Manuscript |
| f. 253-254 | Instrument parts |
| f. 255-256 | Opus 34, Celebration for French Horn and Piano, 1991 |
| f. 255 | Manuscript |
| f. 256 | Master copy |
| f. 257 | The Maestro and His Two Students, 1987. (translated from Paisiello's work) |
| f. 258 | Catgut Octet, unfinished, 1986 |
| f. 259 | Rhapsody for Violin, unfinished, 1988 |
| f. 260 | Opus 36, "Food for the Moon," 1991 |
Audio cassettes
| a.c. 1 | Ecclesiastes, San Francisco, Genevieve Weide, Judyth Cave, Michael Cave, 10 March 1974 |
| a.c. 2 | Various Cave compositions, October 1976 |
| a.c. 3 | Interview with Cathy Barton, folk musician, Columbia, Missouri, May 1977 |
| a.c. 4 | Ecclesiastes, Dutch radio performance, Coby Dijk, Nelly von der Spek, Michael Cave, 1979 |
| a.c. 5 | Twelve Preludes (Book I), Claude Debussey; Fantasie (Opus 17), Robert Schumann; Glendale, 7 March 1980 |
| a.c. 6 | Chorale Fantasy, Peace on Earth ; "Coronation" Mass, Mozart; Jefferson City Cantorum, 80th birthday celebration of Carl Cave, October 1983 |
| a.c. 7 | Song for soprano, horn, and piano, "Sands" (from Opus 21), Merkin Hall, New York City, Delcina Stevenson, David Jolly, Michael Cave, 27 February 1984 |
| a.c. 8 | Schumann Project, Program I, 1984-1985 |
| a.c. 9 | Schumann Project, Program II, 1984-1985 |
| a.c. 10 | Schumann Project, Program III, 1984-1985 |
| a.c. 11 | Schumann Project, Program IV |
| a.c. 12 | Concert, LMU, 6 November 1985, Delcina Stevenson and Michael Cave (see also v.c. 10) |
| a.c. 13 | Three Anthems for Peace, premiere at Oceanside, California, James Vail conductor, 1987 |
| a.c. 14 | Michael Cave premiere concert, Los Angeles, 11 and 12 March 1988 |
| a.c. 15 | "Canto, a love poem by Charles Valle," premiere at Merging One Gallery, 12 March 1988, and Wilshire Ebell Salon, 13 March 1988 (see also v.c. 25 and 26) |
| a.c. 16 | Romantic Concert, LMU Orchestra, Michael Cave, 24 February 1988 (see also v.c. 23a) |
| a.c. 17 | "To Those Gone Before", St. Louis, Summit Brass, 23 February 1989 |
| a.c. 18 | "Romantic" Sonata; "Canto, a love poem by Charles Valle," Opus 31a (chamber version); and Renascence, Opus 33a (chamber version) |
| a.c. 19 | Concert, Gervase De Peyer, Lester Senter, Carlos Valle, Michael Cave, Merkin Hall, New York City, 11 November 1989 |
| a.c. 20 | Michael Cave Memorial Concert, St. Louis, 26 January 1994 |
| a.c. 21 | Pandora's Box, n.d. |
Audio tapes
| f. 261 | Notes on audio tapes |
| a.t. 1 | Piano recital, Culver City, 18 June 1965 |
| a.t. 2 | Robertson Town Hall, Chamber Music Concert, 5 June 1966 |
| a.t. 3 | Robertson Fine Arts Series, 4 June 1967
Easter morning, 1967
Robertson Fine Arts Series, 17 September 1967 |
| a.t. 4 | Robertson Fine Arts Series, 15 October 1967 |
| a.t. 5 | Robertson Fine Arts Series, 12 November 1967
Robertson Fine Arts Series, 14 January 1968 |
| a.t. 6 | Robertson Fine Arts Series, 10 December 1967 |
| a.t. 7 | Miles Play House, 2 June 1968 |
| a.t. 8 | Robertson Fine Arts Series, 30 June 1968 |
| a.t. 9 | Immaculate Heart College recital, 12 March 1970 |
| a.t. 10 | performance of Cave's Alleuluia, 17 May 1970 |
| a.t. 11 | Music at Westlake, Judy Cave recital, 7 March 1971 |
| a.t. 12 | Music at Westlake, premiere of Ecclesiastes, 4 April 1971 |
| a.t. 13-15 | Mozart Festival, Concert No. 1, 7 February 1973 |
| a.t. 16, 17 | Mozart Festival, Concert No. 2, 14 March 1973 |
| a.t. 18, 19 | Mozart Festival, Concert No. 3, 11 April 1973 |
| a.t. 20 | Mozart Festival, Second Season, Concert No. 1, 14 October 1973 |
| a.t. 21 | Mozart Festival, Second Season, Concert No. 2, 4 November 1973 |
| a.t. 22 | Mozart Festival, Second Season, Concert No. 3, 2 December 1973 |
| a.t. 23 | Li Trobador, May 1974 |
| a.t. 24 | UCLA Department of Music, Thursday Noon Concert, 23 January 1975 |
| a.t. 25 | Studio "Grand Gala" Opening, 16 February 1975 |
| a.t. 26 | Studio concert, 9 May 1976
Cave composition rehearsals |
| a.t. 27 | Cave compositions concert, including first performance of Quintet for Winds (Opus 14), 16 May 1976 |
| a.t. 28 | UCLA Department of Music, Tuesday Noon Concert, 19 October 1976 |
| a.t. 29 | House Concert at Dr. Van Beusekam, Amsterdam, 17 February 1977 |
| a.t. 30 | Creative Society of operatic arias and duets, Glendale Church of Religious Science, 10 April 1981 |
| a.t. 31 | Hiroko Kitano, Michael Cave Recital, Glendale, 28 November 1981 |
| a.t. 32, 33 | Merkin Concert Hall, 22 January 1983 |
| a.t. 34, 35 | An evening of the Music of Michael Cave with Delcina Stevenson and Raymond Pancost, Schoenberg Institute, USC, 19 November 1983 |
| a.t. 36 | Merkin Concert Hall, 27 February 1984 |
| a.t. 37 | Mozart Project, LMU, Michael Cave, 19 July 1985 (see also v.c. 6) |
| a.t. 38, 39 | Radio show hosted by Michael Cave, Mozart's Concerto in C major, lead-ins and credenzas, October 1985 |
| a.t. 40-43 | Mozart Project, LMU Radio (KXLU), Program No. 1, "Mozart in Paris," 25 October 1985 (see also v.c. 8) |
| a.t. 44-47 | Mozart Project, LMU Radio (KXLU), Program No. 1, "Mozart in Paris," 26 October 1985, same as a.t. 40-43 except on pianoforte (see also v.c. 9) |
| a.t. 48-50 | Mozart Project, LMU Radio (KXLU), Program No. 2, "Saltzburg, Flight from Mediocrity," 15 November 1985 (see also v.c. 11) |
| a.t. 51-53 | Mozart Project, LMU Radio (KXLU), Program No. 2, "Saltzburg, Flight from Mediocrity," 15 November 1985, same as a.t. 48-50 except on pianoforte |
| a.t. 54-57 | Mozart Project, LMU Radio (KXLU), Program No. 3, "Mozart in Venice," 31 January 1986 (see also v.c. 12) |
| a.t. 58-61 | Mozart Project, LMU Radio (KXLU), Program No. 4, "Reflection and Finale: Beyond Acclaim," 21 February 1986 (see also v.c. 13) |
| a.t. 62 | Mozart Concerto in C major (K. 415) and Concerto in E b (K. 449), n.d. |
Video cassettes
| v.c. 1 | Creative Society concert, Laguna Beach, 1981 |
| v.c. 2 | Creative Society opera recital, Glendale, 10 April 1981, Hiroko Kitano, Jonathan Mack, and Michael Cave |
| v.c. 3-5 | Mozart Concerto Course, LMU, 1985 |
| v.c. 6 | Mozart Project, LMU, Summer 1985, concert, Michael Cave, pianist |
| v.c. 7 | Opera arias, LMU, 4 October 1985, Marilyn Cronin and Michael Cave |
| v.c. 8 | Mozart Project, LMU, 25 October 1985, Catherine Bennett and Michael Cave |
| v.c. 9 | Mozart Project, LMU, 26 October 1985, Catherine Bennett and Michael Cave (same music as v.c. 8 except with fortepiano) |
| v.c. 10 | Concert, LMU, 6 November 1985, Delcina Stevenson and Michael Cave |
| v.c. 11 | Mozart Project, LMU, 15 November 1985, LMU Orchestra, Bogidar Avramov and Michael Cave |
| v.c. 12 | Mozart Project, LMU, 31 January 1986, Diana Steiner and Michael Cave |
| v.c. 13 | Mozart Project, LMU, 21 February 1986, Bogidar Avramov and Michael Cave |
| v.c. 14 | Mozart Project, LMU, 22 February 1986, Bogidar Avramov and Michael Cave |
| v.c. 15 | Mozart Project, LMU, 13 April 1986, Festival Awards Competition |
| v.c. 16 | Schumann Project, LMU, 14 November 1986, Hedley Nosworthy and Michael Cave |
| v.c. 17 | Schumann Project, LMU, 6 February 1987, Darrel Mettler and Michael Cave |
| v.c. 18 | Schumann Project, LMU, 20 March 1987, Catherine Bennett and Michael Cave |
| v.c. 19 | Paisiello concert, LMU, 19 September 1987, Premiere of Cave's translation of Paisiello's The Maestro and His Two Students, Sheila Tate, Heidi Hote, Tim Blevins, LMU Orchestra, and Michael Cave |
| v.c. 20 | Premiere of Cave's translation of Paisiello's The Maestro and His Two Students, 19 September 1987[?-a copy of part of v.c. 19?] |
| v.c. 21 | LMU Student Mozart Evening, 7 October 1987, Beth Haygood, David Clayter, Joe Bielling, Greg Koppenhaver, ----- McGrath, and Michael Cave |
| v.c. 22 | LMU Opera workshop, Purcell's Dido and Aeneas |
| v.c. 23 | Wayne Jonathan Memorial Concert, Home of Michael Cave, 8 January 1988, Delcina Stevenson, Darrel Mettler, and Michael Cave |
| v.c. 23a | Romantic Concert, LMU Orchestra, Michael Cave, 24 February 1988 (see also a.c. 16) |
| v.c. 24 | Dress rehearsal, concert of Michael Cave music including the premiere of Canto, home of Michael Cave, 11 March 1988 |
| v.c. 25 | Concert of Michael Cave music, including the premiere of Canto, Merging One Gallery, 12 March 1988 (see also a.c. 15) |
| v.c. 26 | Concert of Michael Cave music, Ebell of Los Angeles, 13 March 1988 (see also a.c. 15) |
| v.c. 27 | Winston Church Memorial Concert, 24 January 1991, Judy Cave, Jefferson City Cantorum, Jan Houser, and Michael Cave |
| cd 1 | Caroline Van Oyen, Kaleidoscope. Includes Five New Age Songs. |
| rec. 1 | Michael Cave, 1986 |
| f. 262 | Baby book |
| f. 263 | Scrapbook kept by Michael Cave, 1940s-1950s |
Index of music in audiovisual materials
Bach
| Christmas Oratorio | a.t. 6 |
| Organ Tocatta and Fugue in D Minor | v.c. 27 |
| Suite in G minor | a.t. 9 |
Beethoven
| Sonata, Opus 27, no. 2 (Moonlight Sonata) | a.t. 26 |
| "The Tempest" sonata, Opus 31, no. 2 | v.c. 1 |
| Trio No. 5 in D major, Opus 70 | a.t. 2 |
| Trio No. 6 in E b major | a.t. 5 |
Bloch
Brahams
| Quintet in F minor, Opus 34 | a.t. 2 |
| Rhapsodie in B minor | a.t. 27 |
Cave
| Aria, "There is a Grievous Evil" from Ecclesiastes, Opus 5 | a.c. 12, a.t. 36, v.c. 10 |
| "By the Waters of Babylon," Opus 13 | a.c. 2, a.t. 25, 26 |
| "Canto, a love poem by Charles Valle," Opus 31 | a.c. 14, 15, 18, 19, v.c. 24-26 |
| Chorale Fantasy, "Peace on Earth," Opus 1 | a.c. 6, a. t. 3 |
| "Classic" Sonata, Opus 23 | a.t. 34,36, v.c. 10 |
| Duo for two violins, Opus 11 | a.c. 14, v.c. 24-26 |
| Ecclesiastes, Opus 5 | a.c. 1, 4, a.t. 1, 12 |
| "Elegy," Opus 16 | a.c. 2, a.t. 26, 27, 33, 35,36 |
| Festive Alleluia, Opus 4 | a.t. 10 |
| Five New Age Songs, Opus 19 | a.t. 33,35, c.d. 1, v.c. 10 |
| "Lines to the Sea," Opus 17 | a.c. 2, a.t. 26, 27, 36 |
| Morning Song of Senlin | a.t. 3 |
| Nocturne, Opus 3 | a.t. 28 |
| "Nothing Gold Can Stay," Opus 7 | a.t. 36 |
| Pandora's Box, Opus 6 | a.c. 21 |
| Prelude and March, duet for piano four-hands, Opus 24 | a.t. 36 |
| Quintet for Woodwinds, Opus 14 | a.c. 14, a.t. 26, 27, v.c. 24 |
| Renascence, Opus 33, | a.c. 18, 19 |
| "Romantic" Sonata, Opus 22 | a.c. 18, a.t. 33,34, rec. 1, v.c. 1, 10 |
| Seven Healings, Opus 29 | rec. 1 |
| Silly Songs: Goops--And How to Be Them, Opus 25 | a.t. 35, v.c. 10 |
| Sonata for Clarinet and Piano, Opus 27 | a.c. 19, a.t. 36 |
| Sonata for Oboe and Piano, Opus 8 | a.c. 2, a.t. 35 |
| Song for soprano, horn, and piano, "Sands", from Opus 21 | a.c. 7 |
| Three Anthems for Peace, Opus 30 | a.c. 13 |
| Three Anthems for Peace, Anthems One and Two, Opus 30 | v.c. 27 |
| Three pieces for clarinet, Opus 15a | a.c. 14, a.t. 36, v.c. 24-26 |
| Three songs, Opus 19a | a.t. 34, v.c. 10 |
| "To the Moon With Love," Opus 28 | a.t. 36 |
| "To Those Gone Before," Opus 32 | a.c. 17 |
| Two Songs: "Sands" and "To Life," Opus 21 | a.t. 36 |
| Valse, D.C., Opus 18 | a.t. 33, 34 |
| "Whisper Me Words of Love," Opus 26 | a.c. 2, a.t. 36 |
| Woodwind quintet, Opus 14 | v.c. 24-26 |
Chopin
| Andante Spianato | rec. 1 |
| Barcarolle, Opus 60 | a.t. 28,29, v.c. 1 |
| Grande polonaise brilliante | rec. 1 |
| Nocturne in F | a.t. 29 |
| Scherzo in B b minor, Opus 31 | a.t. 25,29 |
| Valse | a.t. 29 |
Debussey
| Clair de lune | a.t. 27 |
| Les colliers d'Anacapri | a.t. 27 |
| Ondine | a.t. 27 |
| Reflets dans l'eau | a.t. 29 |
| Suite "Pour le piano" | v.c. 1 |
| Twelve Preludes (Book I) | a.c. 5, a.t. 9 |
| Handel | a.t. 3 |
Haydn
| Sonata in E b | a.t. 27 |
| Sonata in G | a.t. 26 |
| Li Trobador | a.t. 23 |
Mendelssohn
Mozart
| Adagio in B (K. 540) | a.t. 37, v.c. 6 |
| Aria for Paisiello's Andromeda "Ah, Lo previde" | a.t. 25, v.c. 19 |
| Aria, "Ah, Lo prendi" | a.t. 40-43, v.c. 8, 9 |
| Aria, "Deh! Non Varcar | a.t. 25 |
| Aria, "Ich möchte wohl der Kaiser sein" | a.t. 44-47, v.c. 9 |
| Aria, "Misera, dove son?" | a.t. 40-43, v.c. 8, 9 |
| Aria, "Ombra felice" (K. 255) | v.c. 21 |
| Aria, "Resta, O cora" | a.t. 20 |
| Aria, "T'Invola Agl'Ochi Miei | a.t. 25 |
| Aria, "Vado madove" (K. 583) | v.c. 21 |
| Aria, "Verrei, Spiegarvi, Oh Die" | a.t. 20 |
| Bassoon Concerto in B b | a.t. 22 |
| Clarinet Concerto in A | a.t. 16 |
| Concerto in A (K. 414) | a.t. 13,14 |
| Concerto in A (K. 488) | a.t. 20 |
| Concerto in B b (K. 238) | a.t. 21, 58-61, v.c. 13,14 |
| Concerto in B b (K. 450) | a.t. 16 |
| Concerto in C (K. 246) | a.t. 18 |
| Concerto for two pianos (K. 365) | v.c. 21 |
| Concerto in C (K. 503) | a.t. 22 |
| Concerto in C major (K. 415) | a.t. 62, v.c. 21 |
| Concerto in C (K. 467) | a.t. 21,38,39,48-53, v.c. 11 |
| Concerto in D (K. 451) | a.t. 22 |
| Concerto in E b (K. 271) | a.t. 14,15,37, v.c. 6 |
| Concerto in E b (K. 449) | a.t. 18,19,449 |
| Concerto in E b(K. 482) | a.t. 20 |
| Concerto in G (K. 453) | a.t. 17 |
| "Coronation" Mass | a.c. 6 |
| Exsultate Jubilate | a.t. 14, v.c. 27 |
| Fantasie in C minor (K. 475) | a.t. 26 |
| Flute Sonata in Eb (K.14?) | a.t. 37, v.c. 6 |
| Idomeneo Overture (K. 366) | a.t. 48-53, v.c. 11 |
| Mass in C | a.t. 3 |
| Menuet and Allegro | a.t. 44-47, v.c. 9 |
| Oboe Concerto in C (K. 314) | a.t. 21 |
| "Paris" Symphony (K. 297) | a.t. 48-53, v.c. 11 |
| Rondo (K. 511) | a.t. 54-57, v.c. 12 |
| Sonata in A minor (K. 310) | a.t. 40-47, v.c. 8, 9 |
| Sonata in B b (K. 333) | a.t. 24,25,40-47, v.c. 8, 9 |
| Sonata in B b (K. 454) | a.t. 54-57, v.c. 12 |
| Sonata in C (K. 455) | rec. 1 |
| Sonata in C minor (K. 457) | a.t. 26 |
| Sonata in D (K. 311) | a.t. 28,29,37, v.c. 6 |
| Sonata in E minor (K. 304) | a.t. 54-57, v.c. 12 |
| Sonata in F (K. 332) | a.t. 54-57, v.c. 12 |
| Two French songs | a.t. 40-47, v.c. 8, 9 |
| Variations on "la bergere Celimene" | a.t. 54-57, v.c. 12 |
| Variations on "Salve tu domine" (K. 398) | a.t. 27,54-57, v.c. 12 |
| Variations on "Twinkle, Twinkle Little Star" | a.t. 40-47, v.c. 8, 9 |
| Variations on Paisiello | v.c. 19 |
| Violin Concerto in D (K. 211) | a.t. 19 |
Opera
Paisiello
| "The Maestro and His Two Students", Cave translation | v.c. 19, 20 |
| Three fortepiano sonatas | v.c. 19 |
Purcell
| Anthem, "Thou Knowest Lord" | a.t. 3 |
| Dido and Aeneas | v.c. 22 |
| Jubilate Deo | a.t. 3, 8 |
| Suite in C minor | a.t. 3 |
| Te Deum | a.t. 3, 8 |
| Trumpet tune | a.t. 3 |
Ravel
Schubert
| Four Impromptus, Opus 90 | a.t. 32 |
| Sonata in B b | a.t. 9 |
| The Shepherd on the Rock (Der Hirt auf dem Felsen) | a.t. 32 |
| Three Songs ( Suleika, Nacht und Traüme, Die Forelle) | a.t. 32 |
Schumann
| Arabeske, Opus 18 | a.c. 10 |
| Carneval, Opus 9 | a.c. 8, a.t. 7, v.c. 16 |
| Davidsbundler, Opus 6 | a.c. 8 |
| Dichterliebe Song Cycle | v.c. 16 |
| Eight Short Pieces | a.c. 11 |
| Études Symphoniques, Opus 13 | a.c. 9, a.t. 1, v.c. 1, 17 |
| Fantasie, Opus 17 | a.c. 5, a.t. 24,27, v.c. 18 |
Schumann
| Faschingsachwank aus Wien, Opus 26 | a.c. 11 |
| Frauenliebe Song Cycle | v.c. 18 |
| Gesange der Fruhe, Opus 133 | a.c. 11 |
| Kinderszane, Opus 15 | a.c. 9 |
| Kreisleriana, Opus 16 | a.c. 10, v.c. 18 |
| Nachtstucke, Opus 23, nos. 3 and 4 | a.c. 10 |
| Papillons, Opus 2 | a.c. 8 |
| Phantasie, Opus 17 | a.c. 10 |
| Phantasiestucke, Opus 12 | a.c. 9, v.c. 17 |
| Quintet | a.t. 5 |
| Sonata in G minor, Opus 22 |
| Song Group | v.c. 16, 18 |
| Three Clarinet Pieces | v.c. 17 |
| Three Romances, Opus 28 | a.c. 11 |
| Toccata, Opus 7 | a.c. 9, v.c. 17 |
| Trio in G minor | a.t. 5 |
| Variations on the name Abegg, Opus 1 | a.c. 8 |
Sweelinck
| Fantasia chromatica | a.t. 27,28 |
Vivaldi
INDEX TERMS
These index terms are the subjects, people, places, etc. under which this collection is listed in all available indexes at the Western Historical Manuscript Collection-Columbia. If you are interested in a specific index term, please contact the reference staff.
- Accounts--Personal
- AIDS (Disease)--Patients
- AIDS (Disease)--Patients--Care
- Arts--Societies
- Barton, Cathy
- Birthdays
- Cave, Carl Sanford
- Cave, Carl Sanford--Family
- Cave, Judyth Walker
- Cave, Michael
- Cave, Michael--Biography
- Cave, Shannon
- Cave, Thelma D.
- Child artists
- Child authors
- Child musicians
- Child support
- Childbirth
- Children
- Children and animals
- Children playing in snow
- Children playing musical instruments
- Children--Cancer
- Children's music
- Church music
- Composition (Music)
- Concerts
- Concerts--Reviews
- Creative Society
- Diaries
- Diaries--Children
- Europe--Description and travel
- Families
- Family relations
- Farmhouses--Missouri, Callaway County
- Fathers and children
- France--Description and travel
- Grading and marking (Students)
- Homosexuality--Attitudes towards
- Houses--Buying and selling
- Houses--Remodeling
- Infants
- Kennedy, John Fitzgerald (1917-1963)--Assassination
- Military service, Compulsory
- Mothers and children
- Music competitions
- Music festivals
- Music--History and criticism
- Musicians
- Music--Societies
- Music--Study and teaching
- Parent and child
- Pianists
- Poetry
- Psychology, Applied
- Publicity
- University of California, Los Angeles, Music Department
- Vacations
- Values
- Van Cliburn International Piano Competition
- Weddings
- Westlake School for Girls, Los Angeles, California
- Wills
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